Saturday, August 18, 2018

Gender/Sexuality and Dating a Non-Goth

I've identified with "goth" as a label since my late teen years, and as a metal-head since I was 13, yet I've actually never dated another goth. (I briefly dated a guy before I came out as being queer, who was into entry-level metal, and that's as close as I've gotten to dating a fellow metal-head.)

This post is a self-reflection on some of the more relevant experiences I've had as a goth dating non-goths, mostly current experiences that I am having as someone currently dating a VERY not-goth, and why I believe that you can date someone who doesn't share ALL the same interests as you.... and, to mix it up even more, I'm going to add in the fact that my relationships have been visibly queer, and how I interpret the perception of these relationships by the world.

 My current relationship is with a really cool francophone non-goth, who identifies as cis-female and lesbian/pansexual. We met while both working in a horrible restaurant, where, because of the uniforms, it wouldn't be visible, apart from my dyed hair, that I was goth. When we opened and closed the restaurant and I had my turn with the aux cord for the resto speaker system, you better believe I was either blasting whatever metal band I was into at the time, or playing 80's goth bands, both of which she hated (more so the metal). I liked to make fun of her by playfully threatening to put on my god-awful music during restaurant hours just to scare away customers so we'd be less busy.  A few times, I left work at night to go straight to some goth dance parties, and would do my clothes/hair/makeup in the resto before leaving, or would stop by sometimes to say hi, dressed in my usual clothes (which, at the time, was black platform shoes, fishnet tights, black shorts, metal band t-shirt, and mismatched white contact lenses, with two-tone black and white hair. <- I sound like the protagonist from a shitty gothic fanfiction describing themself)

I had bangs, sweet satan...

How I looked when I worked at that terrible restaurant (outside of work, obv)

My aesthetic right before I left for Japan, where I subsequently re-bleached half my hair, effectively killing it, and regretfully cutting myself bangs AGAIN, GODDAMNIT. 
Needless to say, she got a taste of what I was really like, outside of work. Despite that, she still was really friendly to me and we hung out several times before I left to go to Japan for half a year. When I came back six months later, we'd stayed in touch and hung out a few times before we started dating, despite all the obvious differences between us; She grew up in Quebecois culture and speaks 95% in french, likes super chill music, anything latin/cuban/mexican, pop from the 2000s, being super chill, going to bed at 22h, not going out dancing, wearing clothing that is comfortable and functional- not fashionable, and enjoys spending a lot of time outside in the sun gardening (and studying horticulture/working on a farm outside the city). I prefer cold weather, heavy sounds, horror movies, black clothing that isn't always as functional, staying up late at night/going out to goth clubs and metal shows, and I grew up in Ontario.We also have really different life trajectories, and thus we know that our relationship is only temporary, a fact which we've both come to terms with and are trying to enjoy our time together as much as we can. (Can someone tell me, is that element in itself something that queers a relationship?)

Despite all the differences between us, we are actually very similar, and spending time together and getting to know each other better really helped to build an emotional bond past all the obvious differences. Its been 5 months now, and she admitted to me recently that, when we had been working together before, she was actually intimidated by me/my appearance/my perceived "indifference" or preference for solitude. This is an excellent example of something that has been bridged through communication - I'm not "too cool" for you, which I think lots of people perceive of goths. I actually just have social anxiety! On my side, I pretty much thought the same of her - she's a Capricorn rising, so she comes off as having a bit of a cool indifference, doesn't seem to care what people think, is very focused on her self and her goals, (which is true, and admirable!).
We actually have lots of similar interests - Plants, scientific botanical gardens, fearing other people, being very silly to the point of being obnoxious, feminism/gender & sexuality studies, guilty pleasure early 90s/early 2000's pop music
 
jazz and latin music, cocteau twins.... and just generally ENJOYING each others presence, feeling like we can be ourselves around each other, and learning new things from the differences between us. The last point specifically is why I highly advocate for dating people who you do not share all interests with!! I personally really love to learn new things from people who are important to me, I think that knowledge sharing is an important part of my relationships, and thus, if we have too much in common, it feels boring and monotonous. (Although I think she's probably bored of my constantly explaining specific elements of music history/ music theory all the time).


So, how do we interact with specific differences in our relationship? (particularly differences of goth & non-goth) : We take turns with who puts music on, usually whoever's house we are at gets to decide on the music, although recently we've been doing a lot of dancing with guilty looks on our faces to horrible 90s/00's pop and Reggaeton, so right now I let her take the aux cord, since I can handle listening to her music, but not necessarily vice versa with her & metal. If I'm in a reallllyyy goth mood though, I'll try to find something more chill, dream-pop/shoe-gaze-y in order not to make her feel uneasy. (The band Timber Timbre is a hit, as its both spooky and relatively calm/folk-y, as is some of Chelsea Wolfe's less heavy material, yay! My Queen!!)   I think often we try to find a "happy-medium" if possible. (Honestly, I have all the time in the world to listen to my preferred music when she's not around!).
Timber Timbre "Beat the Drum Slowly"
I relate

Movies: We're both pretty into anything queer-themed, but I have gotten her to watch some of the more cheesy old horror movies, since those tend to not be as scary... and, whats a perfect mix of spooky and queer?
HELLO!! (Elvira)
                                          and of course, "What we do in the shadows" !
This movie very much helped my girlfriend understand me better!

We don't really share clothes except for sleeping and the odd sweater, and have no expectations of how each other should dress, which is like, pretty obvious? You should never change for someone and they should never expect you to change for them. I dress however goth I want to when we go out in public together, and she has never been anything but kind and supportive to me, and vice verca. Going out: I go out to goth nights with my goth friends, with no expectations of having her accompany me, and on the other side, I'm not expected to attend get-togethers with her normie, potentially awful acquaintances (this is not just my opinion, but she has described some of these acquaintances as terrible dudes with no concept of feminism. They're not acquaintances anymore to my knowledge). We will try to schedule plans to not fall on the same night as an event, so that I don't miss them, which is lovely! Lastly, she has always been supportive in how I choose to present my gender as an agender/sometimes non-binary person, seeing as I sometimes wear long black skirts, or sometimes wear black jean ripped shorts! You should always date someone who supports you and validates your identities no matter what.

To segue off of talking about identities... I want to mention that in public, based on the fact that we are both AFAB / people likely identified by others as "female", we are obviously a queer couple, often perceived as a lesbian couple. If we go out in public holding hands/displaying any other kind of affection, we get looked at, obviously. I've asked M how she feels about this, and we both have mixed feelings on the looks from others being because we are an openly queer couple, but also because we are two VERY different people, thus making us a curious item to onlookers. We possibly get looked at more than other non-goth queer couples, simply because I stand out visually in other ways than just queerness. It's interesting to note how USED to being stared at I have become, on my own as a goth, and when with my girlfriend, as a queer person. I think it's even more difficult to be both commodified as a sexual object because of being goth and queer, since both of those boxes are sexualized by people outside of the subcultures (and especially objectified if you're assumed female/lesbian). Luckily, neither of us has problems with being looked at, and we tend to just make fun of the people who've made their glare very obvious - sometimes I glare back; I refuse to be an inanimate object of consumption.

This has mostly been a long ramble, so I apologize. But I hope if you read this far, and want to take something from my pondering, it's that different people CAN get along and have amazing happy relationships if given the chance to find some other few similarities between them to build off of, and learning from the different skills, interests and hobbies of each other! My love for Cuban jazz would not have been rekindled if it weren't for my current relationship. I love being an anti-social homebody with my girlfriend, which suits me as a goth and her as someone with social anxiety. Its perfect!
I wish you all good luck with current and future relationship endeavors, and would love to hear your comments about goth-goth and goth-non goth relationships you may have had, especially if they are queer!

As always, your darkness loving fiend,
TheAgenderAgelessOne

Friday, May 18, 2018

A list of things I am doing this weekend instead of being at Wave Gotik-Treffen

Hello all,

It is that time of year again... The time of year in which I get to see many wonderful blogs and vlogs from my favourite online gothic personalities, all flocking to Leipzig, Germany, for one of the big goth music festivals of the year, Wave Gotik-Treffen. This year (2018), there are 224 artists playing in many venues in the area, starting from the 18th of May and ending on the 21st.

And where will I be during this fantastic get-together of our massive macabre community?
Of course, sitting in my home, watching Youtube videos on how to cremate babies, because I am a broke art student trying to distract themself from all the wonderful instagram posts of WGT currently flooding my feed. If you are like me, and are not able to make it to these wonderful large goth festivals,  here is a list of things that I am doing this weekend instead, which you could take inspiration from if you wish.

1. Catching up on [goth] music released in the last year/months, or listening to bands that are playing at WGT

2. Adding unnecessary but aesthetically pleasing gothic items to my Amazon wishlist. (And also lots of books). I am broke and will never be able to afford any of this, but its nice to dream.

3. Staring listlessly out of my bedroom window, my view slightly obscured by the black sheer curtain which stops me from acquiring a sun tan.

4. Redying my hair and cleaning makeup brushes - All the little things that we usually ignore.

5. Going to a local goth event!! Thank you Boutique Creatures, Montreal, for helping distract me, and keep me in contact with my local goth community.

6. Planning my OWN goth event in the future - WATCH OUT!!

7. Listening to Cemetery Confessions podcast !

8. Hanging out in a local cemetery, preferably with snacks.

9. Making playlists/ mix CD's for all my ghoul pals.

10. Marathon episodes of "Elvira's Movie Macabre"

11. Writing sad poetry/making sad art about being unable to attend WGT.

... Well, those are all my ideas for now. I'll probably update again later.
Hope this helps, if you're a broke, bummed out goth sitting at home, just like me.

Thanks for reading! Sincerely,

The Agender Ageless One

Musing on Gothic Fashion & Gender Identity and Expression


Welcome, all ye who may be reading this!

In this blog post, I intend to reflect on my personal experiences as an agender goth with gender presentation issues; anecdotes provided by my lovely trans-faggy-long-boy roommate.

Firstly, I shall disclose that I am, as they call, "assigned female at birth", and therefore my struggle reflects that dynamic, but in no way encapsulates all experiences/opinions of others with similar identities. I cannot necessarily speak accurately to the experiences of people on the other side of the spectrum who are "assigned male at birth" trans people. I am an agender / sometimes non-binary individual who is currently not transitioning medically (hormones or surgeries) but I am considering going on testosterone in the future as well has having top surgery (mastectomy).

I've been "out" to myself and my friends/family as non-female since I was around 15 or 16 years old, and at that time I was also not quite into the goth scene yet. At that time, the only role models in the queer community presented to me in my experiences, were "masculine-of center", thin, white people, usually who had short haircuts and wear more masculine* clothing. So, I followed suit, assuming that the only way to protest my being labelled "female" by society, was to present myself in a more masculine way.
*Note: Here, I am depicting the idea of what masculine typically means within western society. I personally do not believe in labeling things in this way,  and will explain why, but do so in this post to make a point in contrasting what we deem masculine and feminine.

Once I had graduated high school, I started to get more into the gothic subculture and metal music. I had been into metal music since I was 13 but eased out of it for a few years in high school. As I immersed myself more and more into these scenes, and slowly met more like minded individuals, I had several realizations:

1. All of the male goth/metal icons that I had found attractive since I was young, were all very androgynous, which explained my attraction to them despite the fact that I am typically only interested in women. This made me re-examine the way I perceive my attraction to people, as I realized that it wasn't necessarily women that I was attracted to, but androgynous/feminine people. The people in bands that I thought were alluring usually wore makeup and lipstick, have long hair, gender-ambiguous body shapes/ feminine body shapes, and (in most cases) seemed to put more effort into their clothing choices, wearing large boots, blouses, even androgynous looking dresses and skirts. This made me re-examine how I labelled clothing as masculine or feminine, because in this context, the person wearing the clothing is [cis] male, therefore what is the gender of the clothing? He is not cross dressing, he is just dressing/presenting in a gothic manner...

  Dani Filth of Cradle of Filth, circa. 2004 -
He had dreads at this time which I do not support, for cultural appropriation reasons. 

Perttu Kivilaakso of Apocalyptica

You know who this is.
                                                         
Mana-Sama of Moi-Dix-Moi & Malice Mizer,
Who seems to draw a lot of inspiration from...
The Queen!!! Even Siouxsie is androgynous!
A message to all goths who dress in ways that affirms their gender

2. With the newfound realization of removing labels of masculine and feminine to clothing, I started to re-evaluate how I presented my own gender. As previously mentioned, I had always had short hair as a way of showing that I was not female. I was unnecessarily assuming that having long hair meant that I was female, and when I realized that I wanted to present myself as goth/metalhead as well, I started to grow my hair out, and I actually feel more and more confident in my gender presentation with long hair. Lots of [cis] male metalheads and goths have long hair, so why should my having long hair automatically make me a woman?

Furthermore, I began to re-acquaint myself with articles of clothing that I had forbidden myself from wearing throughout my high school years... skirts, dresses, form-fitting shirts, anything that I had considered too feminine. I am inspired by all of the gothic people who wear silk and taffeta blouses, long black velvet skirts, boots with high heels or platforms, and especially those who wear makeup!

     
Ian McCulloch of Echo and the Bunnymen, 1984 

All of these pieces of self-presentation lose their gender marker amongst goths, because they are worn by people of all genders. I have found solace in presenting myself as an androgynous, agender person through the goth subculture, and I know that I am not alone in doing so; my trans-faggy boy roommate has expressed to me similar opinions.

He grew up with role models such as Marilyn Manson, Rob Zombie, and not-necessarily-goth Boy George, Stevie Nicks, David Bowie, and most importantly, FRANK N FURTER. These are icons that have greatly influenced both of our personal style and gender expression habits and are a great mix of gender-queer weirdness. Long live goth gender deviancy!

Probably the first time I ever heard the term "transvestite" was from this film.

   
Witch style icon Stevie Nicks
         
Dave Vanien of The Damned in "New Rose" 

       
Anja Huwe of Xmal Deutschland
Next in my pondering on the androgyny and gender-blending within the gothic, I would like to state my hypothesis on why this occurs: firstly, traditional 80's goth style is derivative of the late 70's punk scene, but delving into a darker direction. It's relation with the attitude of punk is that both thrive on a need for something new, different, exciting, and most of all, being a reaction to the current political climate. The late 70's were a bleak time in Britain (according to many aspiring artists at the time such as Morissey, Johnny Rotten, and Peter Hook), but the 80's were a time for experimentation. Stars like David Bowie had led the way for artists and musicians to play with their gender presentation, and this grew in trend throughout the booming economy and open-mindedness of the 1980's. Goth fashion of the 1980's took punk's DIY, gender-neutral I-Don't-Give-A-Fuck attitude and added more black, more leather, more fishnets, and more teased, black hair. The style was for everyone regardless of gender - Anyone can pull of a Siouxsie-inspired makeup look*. At the inception of the trad goth style, you could put any person in the same outfit, and the only way to "know" the person's gender would be through assumptions made on the person's body shape (Which brings up more questions for another possible post on gender assumptions on an individuals perceived birth gender.) Regardless, this was the beginning of 40 years of awesome androgynous gothic fashion...

*That being said, there are certainly lots of people who try very hard to dress in a manner more specific to their gender identity, and there are lots of goth styles which can be very binary and extreme in their presentation of femininity and masculinity- This in itself can also be a great comfort to trans people who want to more concretely present themselves to the world as their true self!

Secondly, with the second and third wave of goth in the late 80's through to the late 90's, we see the emergence of Romantic, vampire, elegant, and aristocratic inspired goth fashion. These styles take influence from Baroque, Rococo, and Victorian decadence. Long hair on men in an elegant manner becomes more popular (perhaps in response to many attractive vampires being depicted with long hair - Thank you, Anne Rice!)
Rozz Williams fighting toxic masculinity!


Rozz was probably another big influence on the long-black-haired Gothic aesthetic.
This is extremely homo-erotic
As is this. Thank you Anne Rice!
Many of the "feminine" qualities that exist within goth fashion, especially mens goth fashion, would initially have been considered masculine, in a historical context. Interview with the Vampire is set in the late 1700's and early 1800s, (Around the Rococo period). During that time period, masculine attributes of the "habit à la française" were; having long hair, puffy blouses, jabot neck ties, breaches, waistcoats, and coats, all embellished with lavish and intricate embroidered motifs. Heeled shoes were also popular. This extravagant aesthetic only lasted until the end of the french revolution, and the 1830's saw the beginning of men's 3-piece suits, downplaying of colour and fabrics, and the beginning of the belief that caring about fashion was for the "weaker sex" (women). Around this time, flamboyancy in clothing also began to be associated with homosexuality, which had prior only been associated with one's bodily gestures and mannerisms rather than fashion. It is at this point that "mens" fashion and "womens" fashion separates, and thus draws a clearer binary that one must follow... In terms of hair, various cultures have their own timelines of hair trends, but within western culture, women started having longer hair as a status symbol, to show they were well taken care of. Men began cutting their hair short as it facilitated work and was easier to take care of and helped avoid health problems such as lice, fleas, and diseases. (However, women were allowed to have long hair because it proved that they were not at risk of such things due to having high status and being provided care.) Today, we have over a century of history in which the norm dictates men have short hair, and women have long hair. We have over a century of fashion norms that goths are now subverting.

  There are obviously many more historical influences that gothic fashion draws from throughout its nearly 40 years of existence, but that would necessitate a much longer blog post than I am currently able to write. It likely could end up being an entire PhD paper if given enough time and research! So for now I will conclude by saying that, by bringing back lavish fashions of the past and blurring the lines between genders in fashion, goths are able to subvert assumptions of both sexuality and gender, and hopefully in the future, use this subversion to bring attention to the ways we assume one anothers genders based on body types. I know I still secretly thrive for the thin silhouette associated with masculine/non binary representation, as it would mean better "passing" in the eyes of cisgender people.... But who am I to try to fit in with society and its expectations? What is goth if not an escape from the mundane reality and expectations of non-alternative culture? I will strive to continue being influenced by the "I dont care what you think!" attitude of the gothic sub culture, and continue exploring how I relate to and present my gender identity with goth fashion. I hope that some of you reading this will be able to understand and connect their own personal experiences to mine, and that we can continue to evaluate together how the gothic subculture interacts with gender and sexuality.

Until next time,

     Thank you for reading. Sincerely,

the Agender Ageless One

Wednesday, May 9, 2018

Brief Introductory Blog Post

Greetings fellow goth friends who have stumbled upon this blog space.


       I feel obligated to make a brief introductory blog post, in order to set my intentions for this blog so that both I and you know what to expect from the possible posts to come. (That is, if I stay true to my word of writing on this blog).

       On this blog, I intend to document my own experiences with the intersectional identity of being a goth metal-head, as well as a queer person (in gender and sexuality). I would like to document my real-life experiences, as well as ponder on hypothetical situations. I may also make blog posts relating to the experiences of fellow Gothic Bloggers and/or Youtubers here on the internet, and it is possible that I may even join in the fun of some of the Goth Tags that circulate in this cyberspace.   My posting format may vary from simple musings on a topic, to instructional/informational. I hope that you can at least somewhat enjoy the content I may put out.

      Furthermore, to whoever may read this, I hope you have come to this place with "perfect love and perfect trust", as they say in The Craft; This blog will not tolerate the prescence of any comments displaying the following:

                  Racism/Xenophobia, Misogyny, Homophobia, Transphobia, Ableism, or use of               derogatory slurs.

     Thank you for heeding my warning.     
               
         With that said, this blog space is now consecrated under our Dark Lord's name. Welcome, and please enjoy yourself here.

Signed,
     The Ageless One   (Ness)